juan orol dinorah judith

Juan Orol is also regarded as the spiritual father of the called Rumberas film for having the laid the foundations that enriched the film genre. Later, Orol married the Cuban actress Mary Esquivel. Orol et Rosa Carmina se sont mariés entre 1950 et 1955. Il est mort d'une maladie du foie à Mexico le 26 mai 1988. Movie poster. Amparo est mort de la tuberculose en 1937. Size apprx. Movie poster. Dinorah Judith. Dirección: Juan Orol. Il a remporté le succès au box-office en son temps, le public admirait ses muses cinématographiques et ses gangsters diaboliques, peu importe l'intrigue et la pauvreté technique de ses productions. He ignored criticism of his work, like with I Hate You and I Love You (1957), a film that the critics directly called "very bad". Not surprisingly, Orol boasted that he was The director of the crowds.[9]. (Cartel de la Película). Juan Rogelio García García was born on August 4, 1897 in the parish of Santiso, in the town of Lalin in Pontevedra, Spain. With Julio Alemán, Patricia Rivera, Víctor Manuel Mendoza, Arturo Martínez. Mexico: Producciones Juan Orol., 1965. Ed Wood, quant à lui, n'a jamais atteint le grand public. Spanish and Latin American Film Festival gets underway, The Fantastic World Of Juan Orol – The Sliff 2013 Review. Add the first question. to add information, pictures and relationships, join in discussions and get credit for your contributions. His films have been described as cult films. View production, box office, & company info. Con Luz Maria Aguilar, Dinorah Judith, Luis G. Oquendo. Orol et Pons forment un couple de danseurs et il décide de la présenter comme actrice au Mexique dans le film Siboney (1938). Dans ce film, la rumbera cubaine María Antonieta Pons , sa deuxième muse cinématographique, a fait ses débuts. De même, il n'est pas parti à la recherche de lieux exotiques, bien que ses parcelles en aient besoin dans la plupart des cas. Il n'a pas essayé d'expliquer la psychologie de ses personnages et la géographie des lieux qu'il utilisait. Juan Orol était célèbre pour avoir introduit de nombreuses actrices étrangères (principalement cubaines) au cinéma mexicain. Seller Inventory # 55-3198. Juan Rogelio García García, better known as Juan Orol (August 4, 1897 in Lalín, Pontevedra, Spain – May 26, 1988 in Mexico City, Mexico) was a Mexican-Spanish actor, producer, screenwriter and film director. Cependant, Orol lui-même a reconnu José Bohr , l'un des pionniers des talkies au Mexique, comme le cinéaste le plus influent. The following year, Orol risked his own capital and premiered simultaneously as producer, writer and star in the film Mujeres sin alma, also directed by Peon. Can't remember the title or the author of a book? Judith était sa dernière muse et sa dernière épouse, restant mariée avec elle jusqu'à sa mort. Look ahead to the TV shows still set to premiere in the rest of 2020, including "Selena: The Series" and "The Stand.". Arnoldo died in a workplace accident on a film set. Après Rosa Carmina, un ami l'a présenté à sa nièce, Dinorah Judith. Juan Orol and Rosa Carmina were married for 5 years. Federico Piñero. by Dirección: Juan Orol. Because of this, Orol was considered one of the main promoters of the Rumberas film of the forties and fifties. His mother, a woman of peasant origin, was a single mother. Orol a agi en tant que réalisateur, producteur, scénariste et acteur. His first wife was Amparo Moreno, sister of the actress Consuelo Moreno, his first filmic muse. Née: Juan Rogelio García García ( ) 4 août 1897. Seller Inventory # 55-3197. Orol and Rosa Carmina were married between 1950 and 1955. Orol et Pons se sont mariés entre 1940 et 1945. Les films d'Orol ont développé un style signature, avec les thèmes récurrents des tropiques, les rumberas, les paysages exotiques, les femmes belles et provocantes et le cabaret comme lieu idéal. Juan Orol was born on August 4, 1897 in Ferrol, A Coruña, Galicia, Spain as Juan Rogelio García García. Orol filmed in different countries: Mexico, Cuba, Puerto Rico, the United States, and Spain. Dans la plupart d'entre eux, il a participé à plus de deux ou trois des principales activités du film: directeur de production, réalisateur, producteur, scénariste et acteur. Le réalisateur Sergio Véjar , cadreur de Zonga, L'Ange diabolique (1957), dit qu'Orol a ordonné à Mary Esquivel de peindre chacun de ses ongles d'une couleur différente pour étendre ses mains à la caméra, réduisant ainsi les coûts de production. Later, she married a man who didn't want to take care of another man's son, so she sent Orol to Cuba to live with a friend. His films have been described as cult films. A cette époque, les films d'Orol ont été critiqués par la critique et, selon la réputation, le réalisateur a traversé une profonde dépression. 20 cm. In Zonga..., a film that takes place in the Amazon rainforest, there is in the background a monument to Bolivar from the Bosque de Chapultepec in Mexico City. and a great selection of related books, art and collectibles available now at AbeBooks.com. Juan Orol ne se souciait pas des détails. [3], Initially Orol entered the Mexican film industry as another way to make a living, but eventually he developed a passion for the world of cinema. With Dinorah Judith, Frank Moro, Mario Sevilla, Felipe de Flores. She became the most representative and prolific filmic muse of Orol. x 25 cm. Pour lui, il suffisait qu'il y ait des scènes et des personnages. In Gangsters Versus Cowboys virtually all the armed men died, but none shed a drop of blood. Ses films ont été décrits comme des films cultes . Dans la plupart d'entre eux, il a participé à plus de deux ou trois des principales activités du film: directeur de production, réalisateur, producteur, écrivain ou acteur. 2. Orol debuted in the Cinema of Mexico as a supporting actor in the film Sagrario (1933), made by the newly created Aspa Films under the direction of Ramón Peon, also known as the Cuban Griffith. [11] Also, he is known for having imported to the Mexican Cinema two of the biggest stars of the genre: María Antonieta Pons and Rosa Carmina. Il a abandonné la boxe quand son visage a été défiguré. Son dernier film en tant que réalisateur était The Death Train (1978). Juan Rogelio García García was born on August 4, 1897 in the parish of Santiso, in the town of Lalin in Pontevedra, Spain. Plus tard, elle a épousé un homme qui ne voulait pas s'occuper du fils d'un autre homme, alors elle a envoyé Orol à Cuba pour vivre avec un ami. Ses films pendant cette période incluent The Curse of my Race (1964), Prelude to the Electric Chair (1966) et le classique culte The Fantastic World of the Hippies (1970), réalisé en coproduction américaine. Dans Los misterios del hampa (1944), dont le scénario se déroule à Chicago, un bus en arrière-plan lit "Cozumel Peralvillo-Line", une ligne typique de camions de Mexico. Luis G. Oquendo. But both share the precariousness of their mode of production, and today are considered "cult directors". His steps in the bullfight arena and the police order were a great inspiration for subsequent film work. He did not try to explain the psychology of his characters and the geography of the locations that he used. Il a commencé à travailler à la radio en tant que directeur artistique et publiciste tout en contactant l'industrie cinématographique mexicaine naissante. In his role as a bullfighter, he passed through South America under the name of Espartero or Esparterito. Other relevant films of Orol with Rosa Carmina are Tania, the Beautiful Wild Girl (1948), Wild Love (1949) the trilogy Percal (1951) (based on a comic book by José G. Cruz); The Goddess of Tahití (1953) and Dangerous Secretary (1955). Lalín, Pontevedra, Espagne. De même, il crée à Cuba la société de production Caribe Films, l'aidant à réaliser ses coproductions avec l'île. [1], In Cuba, Orol lived in the low neighborhoods, known in Cuba as "solares". Actual display poster for the movie. ORGANIZACION CRIMINALMexican poster '67 Juan Orol, Dinorah Judith, Cesar del Campo!An Original Vintage Theatrical Folded Mexican Movie Poster(measures approximately 27 x 37 … But despite his poor cultural training, he survived. (Cartel de la Película) Mexico: Producciones Juan Orol, 1965. 5 years later they divorced in 1945. C'était un homme qui pensait qu'il devrait participer et superviser tout. If the wait for No Time to Die feels endless, we have three titles to make the time go by faster. 20 cm. Rosa Carmina is considered the most representative of his filmic muses. Son père était un commandant des forces armées espagnoles. The last appearance of Juan Orol on the big screen as an actor was in the film Ni modo...así somos (1981). Avec elle, il a engendré son unique enfant, Arnoldo Orol Moreno, qui, entre la fin des années 40 et le début des années 50, a été producteur exécutif de trois des films d'Orol. La Maldicion de MI Raza. They dated for 1 year after getting together in 1949 and married in 1950. Cependant, Jimenez n'a pas réussi à développer une relation cinématographique pertinente avec Orol. He made a cameo as himself, in a brief scene lasting under a minute. Condition: Good. With María Antonieta Pons, Orol made films like Cruel Destiny (1944), The Secrets of the Underworld (1945), Caribbean Bewitch (1946) and Stormy Passions (1947). Probably the most notable are the classic Gangsters Versus Cowboys (considered today as a Cult film) and Sandra, The Woman of Fire. Likewise, he created in Cuba the Caribe Films production company, helping him to make his co-productions with the island. He earned box office success in his time, the public admired his filmic muses and his evil gangsters, no matter the plot and technical poverty of his productions. La première production Orol dans le cinéma cubain était Siboney (1938), qui présente de la musique d' Ernesto Lecuona . Juan Orol est également considéré comme le père spirituel du film appelé Rumberas pour avoir jeté les bases qui ont enrichi le genre cinématographique. Tell us what you're looking for and once a match is found, we'll inform you by e-mail. Looking for some great streaming picks? Juan Orol was previously married to Dinorah Judith (1964 - 1988), Mary Esquivel (1955 - 1963), Rosa Carmina (1950 - 1955), María Antonieta Pons (1940 - 1945) and Amparo Moreno-Orol (1934 - 1937). [12], The Goddess of Tahiti (The Jackals of the Isla Verde), https://en.wikipedia.org/w/index.php?title=Juan_Orol&oldid=971589937, Articles with unsourced statements from October 2015, Wikipedia articles needing clarification from October 2015, Articles with dead external links from April 2017, Articles with permanently dead external links, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 7 August 2020, at 02:13. Juan Orol had also a "one man band" performance in movies. He did not use special effects in his works. Se doble con signos de uso, principalmente en los bordes. Book number: 55-3197. After separating from Rosa Carmina,[clarification needed] Orol filmed The Lame Waitress of the Cafe of the Port, a Cuban-Mexican production, as director, producer and screenwriter, with Marta Rams and Julio Capote as main actors. Orol a tourné dans différents pays: Mexique, Cuba, Porto Rico , États-Unis et Espagne. He assumed that his film collection had succumbed to the fire at the National Film Archives of Mexico (Cineteca Nacional) in 1982. He was known as The King of the Mexican Film noir. In his racer role, was about to drive in Indianapolis, but he lacked a few tenths to the mark of 118 miles per hour. According to astrologers, people born under the sign of Leo are natural born leaders. Film Festival 2014 Review - El fantástico mundo de Juan Orol (2012), 20th Anniversary ¡Viva! They dated for 2 years after getting together in 1938 and married in 1940. Juan Rogelio García García, better known as Juan Orol (August 4, 1897 in Lalín, Pontevedra, Spain – May 26, 1988 in Mexico City, Mexico) was a Mexican-Spanish actor, producer, screenwriter and film director. In search of a new female star of his films, Orol moved to Cuba, where he discovered what would be his next filmic muse: Rosa Carmina. [8], Juan Orol was a "one man band" in his movies. Malgré cela, il n'était pas un technicien sophistiqué, contrairement à son ami Ramon Peon. Wittenborn Art Books The lieutenant who captured him does all he can to prevent it, because he is convinced of the man's innocence. Folded with signs of use, mainly on the edges. He was a director and producer, known for Gángsters contra charros (1948), Tania la bella salvaje (1948) and La diosa de Tahití (1953). His biography is absolutely bizarre, full of impossible and unconnected episodes. In most of them, he participated in more than two or three of the main activities of the film: production manager, director, producer, screenwriter and actor. Production: Producciones Juan Orol / Caribe Films / Movie Genres: Drama; La virgen de la calle – Actor y actriz. On many occasions, to outwit the film unions of Mexico, he invented co-productions with other countries, primarily with Cuba. Both filmed together sixteen films between 1946 and 1955. Le film est basé sur des événements réels, mais librement interprété par les auteurs. At this time, the films of Orol were panned by critics, and reputedly, the director went through a deep depression. | Contact this seller Mais malgré sa mauvaise formation culturelle, il a survécu. Orol is played by the Mexican actor Roberto Sosa. Juan Orol a également eu une performance "one man band" dans les films. Juan Orol is a member of the following lists: 1897 births, Galician people (Spain) and 1988 deaths. Amparo died by tuberculosis in 1937. Norma Zuñiga. About. Avec María Antonieta Pons, Orol réalise des films comme Cruel Destiny (1944), The Secrets of the Underworld (1945), Caribbean Bewitch (1946) et Stormy Passions (1947). La Maldicion de Mi Raza. CON LUZ MARIA AGUILAR, DINORAH JUDITH, LUIS G. OQUENDO. The film is based on real events, but freely interpreted by the authors. About this Item: Mexico: Producciones Juan Orol., 1965. The first Orol production in the Cuban cinema was Siboney (1938), which features music by Ernesto Lecuona. Après que son premier film ait réalisé des revenus modestes, il a tourné un deuxième film en 1934, où il a été co-réalisateur avec Ramon Peon: Femmes sans âme: Vengeance suprême , qui a été un succès inattendu et a joué sa première muse cinématographique, Consuelo Moreno. and a great selection of related books, art and collectibles available now at AbeBooks.com. Dinorah Judith and Juan Orol were married for... Mary Esquivel and Juan Orol were divorced in ... Juan Orol and Rosa Carmina were divorced in 1... María Antonieta Pons and Juan Orol were ... Amparo Moreno-Orol and Juan Orol were divorce... Juan Rogelio García García, Juan Orol García, Juan Orol. Movie Poster. [7] After Rosa Carmina, a friend introduced him to his niece, Dinorah Judith. Amparo Moreno-Orol and Juan Orol are divorced after a marriage of 3 years. direccion juan orol con luz maria aguilar dinorah judith luis g oquendo. In Los misterios del hampa(1944), whose screenplay was set in Chicago, a bus in the background reads "Cozumel Peralvillo-Line", a typical line of trucks of Mexico City. Juan Rogelio García García , mieux connu sous le nom de Juan Orol (4 août 1897 à Lalín , Pontevedra , Espagne - 26 mai 1988 à Mexico , Mexique ) était un acteur , producteur , scénariste et réalisateur mexico - espagnol . A young man is sentenced to death on the electric chair. Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Orol and Pons were married between 1940 and 1945. Pour cette raison, Orol était considéré comme l'un des principaux promoteurs du film Rumberas des années 40 et 50. Esquivel debuted in the film Zonga, The Diabolic Angel (1956), a film that was also the first movie Orol filmed in color. After his break[clarification needed] with Pons, Orol made the film The Love of my Bohío (1946), starring the Costa Rican actress Yadira Jimenez in the lead role. Orol a fait des choses à cause de son dynamisme et de sa passion pour les films sans passer beaucoup de temps dans son studio. Il a même eu le luxe de faire des remakes de son propre travail: il a fait une nouvelle version de Dear Mother , son plus grand succès, en 1950. Actual display poster for the movie. However, his films proved successful and managed to reach the public taste. Directed by Juan Orol. Rosa Carmina debuted in the film A Woman from the East (1946). 94 cm. 5 years later they divorced in 1955. Login (San Francisco, CA, U.S.A.), About this Item: Mexico: Producciones Juan Orol., 1965. Condition: Good. Condition: Good. He was a pioneer of the Mexican cinema's first talkies and one of the main promoters of the Rumberas film in the Golden Age of Mexican cinema. Folded with signs of use, mainly on the edges. Although Pons and other of his subsequent filmic muses were exclusive stars of España Sono Films, Orol allowed them to work with other production houses. Mexico: Producciones Juan Orol. He was a pioneer of the Mexican cinema's first talkies and one of the main promoters of the Rumberas film in the Golden Age of Mexican cinema. Se trata de un cartel de mostrar real de la película. La Maldicion de Mi Raza. En 2012, Juan Orol a fait l'objet du biopic El fantástico mundo de Juan Orol , réalisé par Sebastian del Amo. They were married between 1955 and 1963. However, Jimenez failed to develop a relevant film relationship with Orol. Sa dernière production majeure impliquant Esquivel était Tahimí, La fille du pêcheur (1958). In the mid-forties, he consolidated his own production house, España Sono Films. Juan Orol - Juan Orol. Un article de Wikipédia, l'encyclopédie libre. Esquivel a fait ses débuts dans le film Zonga, The Diabolic Angel (1956), un film qui était également le premier film Orol tourné en couleur. Wittenborn Art Books Professional seller. More information about this seller (Cartel de la Película). Sa première femme était Amparo Moreno, sœur de l'actrice Consuelo Moreno, sa première muse cinématographique. Directed by Juan Orol. Despite various film tributes in his honor, he lived in a deep poverty. Ses pas dans l'arène de corrida et l'ordre de la police ont été une grande source d'inspiration pour le travail de film ultérieur. Movie poster. Juan Orol was born on August 4, 1897 in Ferrol, A Coruña, Galicia, Spain as Juan Rogelio García García. Il a supposé que sa collection de films avait succombé à l'incendie des Archives nationales du cinéma du Mexique (Cineteca Nacional) en 1982. Judith was his last muse and last wife, remaining married to her until his death. Juan Orol is a member of the following lists: 1897 births, Galician people (Spain) and 1988 deaths. In fact, only some original negatives of his early films were lost in that incident. His last film as director was The Death Train (1978). Dans Gangsters Versus Cowboys, pratiquement tous les hommes armés sont morts, mais aucun n'a versé une goutte de sang. They are dramatic, creative, self-confident, dominant and extremely difficult to resist, able to achieve anything they want to in any area of life they commit to. In Cuba, Orol discovered Rosa Carmina, his next filmic muse. Published by Likewise, he did not go in search of exotic locations, although his plots required them in most cases. Ils se sont mariés entre 1955 et 1963. Cependant, contrairement au cinéaste américain, Orol n'avait pas besoin d'un hommage posthume pour être reconnu. Juan Orol était un "one man band" dans ses films. Juan Orol’s zodiac sign is Leo. Orol acted as director, producer, screenwriter and actor. Orol a étiré les budgets de son film et était connu comme réalisateur d'un plan. ORGANIZACION CRIMINALMexican poster '67 Juan Orol, Dinorah Judith, Cesar del Campo!An Original Vintage Theatrical Folded Mexican Movie Poster(measures approximately 27 x 37 … x 25 cm. Rosa Carmina a fait ses débuts dans le film Une femme de l'Est (1946). Il était connu comme le roi du film noir mexicain . Help us build our profile of Juan Orol! Il était également connu sous le nom de surréaliste involontaire . Set of promotional photographs. There is a specific strength to a Leo and their "king of the jungle" status. Plus tard, Orol a épousé l'actrice cubaine Mary Esquivel. Là, il a eu beaucoup de contacts avec des personnes d' origine africaine , qui lui ont appris toutes ses techniques de danse. [5], In 1938, he met the rumbera María Antonieta Pons in Cuba. Looking for some great streaming picks? Juan Orol did not care about details.[10]. He died of liver disease in Mexico City on May 26, 1988. Mary Esquivel and Juan Orol are divorced after a marriage of 8 years. However, Orol himself recognized José Bohr, one of the pioneers of talkies in Mexico, as the most influential filmmaker.[4]. Ed Wood, meanwhile, never hit the mainstream. Après sa rupture avec Pons, Orol a réalisé le film L'amour de mon Bohío (1946), mettant en vedette l'actrice costaricienne Yadira Jimenez dans le rôle principal. Aussi, il est connu pour avoir importé au cinéma mexicain deux des plus grandes stars du genre: María Antonieta Pons et Rosa Carmina. Starring: Juan Orol, Dinorah Judith, Arturo Martinez, Cesar del Campo, Gilda Miro, Mario Sevilla, Manolo Villamil, Rolando Ochoa, Felipe de Flores.Adventure. [6] After divorcing Pons, Orol decided to launch the Costa Rican actress and dancer Yadira Jimenez. (Cartel de la Película). Set of promotional photographs. La Maldicion de Mi Raza. À Cuba, Orol découvre Rosa Carmina, sa prochaine muse cinématographique. Après avoir divorcé de Pons, Orol a décidé de lancer l'actrice et danseuse costaricienne Yadira Jimenez. His last major production involving Esquivel was Tahimí, The Daughter of the Fisherman (1958). However, their collaboration was fleeting. Il a été un pionnier des premiers talkies - walkies du cinéma mexicain et l'un des principaux promoteurs du film Rumberas à l' âge d'or du cinéma mexicain . Se trata de un cartel de mostrar real de la película. Son veuvage prématuré se retrouve face à une responsabilité parentale. Il a fait une apparition en tant que lui-même, dans une brève scène de moins d'une minute. À de nombreuses reprises, pour déjouer les syndicats cinématographiques du Mexique, il a inventé des coproductions avec d'autres pays, principalement avec Cuba. His premature widowhood put on face with a parental responsibility. Juan Orol has been compared with American filmmaker Ed Wood, canonized as "the worst director of all time". Later, he moved to Mexico, where he was also part of the secret police. More information about this seller Juan Rogelio García García est né le 4 août 1897 dans la paroisse de Santiso , dans la ville de Lalin à Pontevedra , en Espagne . This FAQ is empty. Malgré divers hommages cinématographiques en son honneur, il vit dans une grande pauvreté. Sa mère, une femme d'origine paysanne, était une mère célibataire.

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